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Peter the Carpenter's avatar

Wow! A lot to consider here, very thorough. Here's where I'm at... what if the "Story of Humanity" is sort of "reality tv" for a higher civilization? They pop in and out of it and direct the general flow, but yet they must also react to the choices of those within the narrative who aren't aware of the simulation. My focus is on the narrative arc from ancient Sumer until now, basically a short 5000-year period that essentially covers "recorded" history since the birth of civilization. I think it is coming to a climactic close, and we all get to be part of it. But I have no idea what the next chapter will involve.

CartographyOfWeird's avatar

Riz, this is a valuable contribution, and the framing around imaginaries is particularly useful. The point that every hypothesis comes pre-loaded with its own set of cultural furniture, which then shapes both what witnesses report and how researchers interpret those reports, doesn't get nearly enough attention.

Where I find myself adding to your framework is around what happens at the interface between the avatar and the receiving consciousness. In my own recent essay, The Faces They Wear (Cartography of Weird), I argue that the humanoid form isn't just a design choice by the presenting intelligence, it is a co-production: the phenomenology of the encounter is shaped by both whatever is projecting and whatever is receiving. The human nervous system is extraordinarily attuned to faces, to bilateral symmetry, to the signals of attended awareness. A sufficiently sophisticated projecting intelligence wouldn't need to choose the humanoid form deliberately. It would emerge from the interface, the way a signal takes the shape of its medium.

This sits comfortably inside your A1 version of the hypothesis. But I think it also suggests that what we are seeing is not simply an avatar in the clean sense of a controlled projection, it is something more like a negotiated appearance, assembled at the threshold between two very different modes of being. Henri Corbin's concept of the mundus imaginalis, the eighth clime, mapped this territory centuries before simulation theory, and I suspect the two frameworks are pointing at the same domain from opposite directions.

The simulation imaginary is, as you say, a contemporary coat for something considerably older.

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